
๐ซ Superman: The Movie (1987 CD Soundtrack Review & Reflection)
Before Rhino Records unveiled its deluxe 2-CD edition 25 years ago, the 1987 Warner Bros. release was the lone CD version of John Williamsโ score for Superman: The Movie. Conducted by Williams and performed by the mighty London Symphony Orchestra, this abridged album still captures the heroic scale and romantic core of the film. From the triumphant โTheme from Supermanโ to the tender โLove Theme,โ it resonates even without the expanded suite of the reissue.
In the late 80s, budget-conscious soundtrack CDs were often trimmed to fewer tracks. Compared to the original 1978 double LP and cassette editions (which featured 16 cues), this version omits โGrowing Upโ and โLex Luthorโs Lair.โ Although the latterโs absence is forgivableโits motifs are reprised in โThe March of the VillainsโโโGrowing Upโ is a poignant loss. That track radiated young Clark Kentโs awakening, from the gentle โSuperman Fanfareโ to a soaring motif that evokes both footballs kicked into the stratosphere and trains outrun by a boy just discovering what he is.
While some cues were creatively spliced to enhance musical flow, the sequencing mostly follows the filmโs story. Still, this edition diverges from the Rhino/Warner Archives reissue in a few important ways:
- ๐ฝ๏ธ Narrative Fidelity: The 2000 2-CD re-release follows the film scene by scene, echoing producer Nick Redmanโs precision on Star Wars and Raiders of the Lost Ark Special Editions.
- ๐ Love Theme Placement: Here, Track 5 is โLove Theme from Superman,โ originally intended as โGrowing Up.โ Ironically, the Love Theme is not just a romantic interludeโitโs also featured prominently in the filmโs closing credits, anchoring the emotional aftermath of Supermanโs odyssey.
- ๐ผ Main Title Concert Version: The CD opens with a shorter concert version of the Main Title, missing the film versionโs woodwind intro and swelling build. That cinematic cue is restored in the reissue.
- ๐ฌ Flying Sequence & Vocal: Margot Kidderโs โCan You Read My Mindโ appears immediately after โThe Fortress of Solitudeโ in this edition, while the reissue presents it as a bonus. For the curious, a discarded pop versionโnever used in the final cutโis tucked away on the 2000 2-CD reissue’s bonus cues section.

Despite missing a few crucial cues, this โsuper-saverโ release retains the heart of Williamsโ work. The LSO delivers firepower and finesseโjust as it did for the Star Wars saga and Raidersโand under Williamsโ baton, this score makes you believe a man really can fly. It may not be the definitive version, but it remains a remarkable bridge between cinema and symphonic storytelling.
๐ 1987 CD Track List
From the Warner Bros. โSuper Saverโ release:
- Theme From Superman (Main Title) โ 4:24
- The Planet Krypton โ 4:45
- Destruction Of Krypton โ 5:58
- The Trip To Earth โ 2:23
- Love Theme From Superman โ 5:00
- Leaving Home โ 4:48
- The Fortress Of Solitude โ 8:29
- The Flying Sequence & Can You Read My Mind โ 8:08
- Super Rescues โ 3:24
- Superfeats โ 5:00
- The March Of The Villains โ 3:33
- Chasing Rockets โ 7:33
- Turning Back The World โ 2:01
- End Title โ 6:24
Comments
5 responses to “Music Album Review: ‘Superman: The Movie – Original Sound Track (1987 CD Edition)”
It’s been a long while since I’ve seen the movies, but that theme is unforgettable ๐
–Scott
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Maestro Williams’ themes for the 1978 movie are among his best and most memorable. Of his 1970s scores, Superman is my second favorite. It’s surpassed only by his symphonic score for Star Wars.
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I totally get it. I’m not even a big Star Wars guy and I can definitely understand that preference. Regardless, he hit the mark, that’s for sure!
–Scott
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From a writer’s perspective, I can repurpose the Superman score (for inspiration when I write) more than I can with Star Wars themes. I don’t know why, but that’s how my creative process works.
In my novel, I refer to Jim’s fondness for John Williams’ music a few times. That’s how much influence the man’s many brilliant film scores have had on the soundtrack of my life.
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I know you’ve spoken about the importance of music in your work before, but as the least creative person on earth, it’s always interesting to me how creative people lean on seemingly unrelated to mediums to assist in another process they’re working on.
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