Category: Writing a First Novel
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The Journey of a Storyteller: Embracing the Art of Writing
Thursday, December 18, 2025, Orlando, Florida “If you want to really hurt your parents, and you don’t have the nerve to be gay, the least you can do is go into the arts. I’m not kidding. The arts are not a way to make a living. They are a very human way of making life…
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On Writing and Storytelling: Wrestling with Subheads, Holding on to Stories
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in Alex Diaz-Granados, Amazon, Amazon Reviews, Amazon Spain (Amazon.es), Amazon UK, Books, Comings and Goings: The Art of Being Seen, Creative Writing, Kindle, Kindle Create (Publishing App), Kindle Direct Publishing (KDP), Reunion Duology, Reunion: A Story, Reunion: Coda, The Jim Garraty Chronicles, Writing a First Novel, Writing as a CraftWrestling with Subheads, Holding on to Stories Tuesday, December 16, 2025 – Orlando, Florida If you’ve ever worked with Kindle Create, you’ll know it can be both a blessing and a curse. Today, I’m spending several hours fixing subheadings in The Jim Garraty Chronicles—particularly in Reunion: Coda. It’s a formatting issue that has haunted every…
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On Writing and Storytelling: Writing Romance Without Reading Romance
📖 Writing Romance Without Reading Romance: Why Reunion: Coda Works I’ll admit something: when I started writing Reunion: Coda, I worried. I don’t, as a general rule, read romance novels. My shelves are filled with history, memoir, and fiction of other stripes, but not much in the way of “romance.” So when I realized my…
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On Writing and Storytelling: Jim, Mrs. Brillenstein, and the Confluence of Memory and Fiction
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in Alex Diaz-Granados, Amazon, Amazon Reviews, Amazon Spain (Amazon.es), Amazon UK, Blogging, Books, Creative Writing, Life in Florida, Life in South Florida, Personal Thoughts, Reunion Duology, Reunion: A Story, Reunion: Coda, South Miami Senior High School, Writing a First Novel, Writing as a Craft2 Late to Homeroom 7:45 AM I was late for homeroom. Mrs. Brillenstein didn’t like that. She was a young-looking woman, maybe in her early thirties, with long auburn hair and big brown eyes that could be friendly or fierce, depending on her mood. She taught English 2, Regular, and drama in Room 230, which…
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On Writing and Storytelling: The Price of a Missing Paragraph
Or: Why Editorial Blindness Isn’t Just Annoying—It’s Expensive There’s a special kind of heartbreak reserved for writers who reread their own work and discover something missing—a line, a transition, a comma that once held the rhythm together. It’s called editorial blindness, and it’s not just a cognitive quirk. It’s a budget line. This weekend, I…
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I Wrote the Book, Now I’m Trying to Read it
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in Alex Diaz-Granados, Amazon, Amazon Reviews, Amazon Spain (Amazon.es), Amazon UK, Books, Comings and Goings: The Art of Being Seen, Creative Writing, Kindle, Kindle Create (Publishing App), Kindle Direct Publishing (KDP), Reunion Duology, Reunion: A Story, Reunion: Coda, Writing a First Novel, Writing as a CraftHow one missing passage reminded me I’m still editing—even when I’m reading “We write the books we most want to read; so it is of no surprise that we may still want to read those books sometime later.” — Hannah Fielding I’m a writer. Not a household name, not a bestseller (yet), and certainly not…
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On Writing and Storytelling: Between Editions and Expectations
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in ACX, Alex Diaz-Granados, Amazon, Amazon Reviews, Amazon Spain (Amazon.es), Amazon UK, Audible, Brandon Padilla, Bryan Haddock, Comings and Goings (Short Story), Comings and Goings: The Art of Being Seen, Garratyverse, Kindle, Kindle Create (Publishing App), Kindle Direct Publishing (KDP), Reunion Duology, Reunion: A Story, Reunion: Coda, Stefan (Steve) Lee, Writing a First Novel, Writing as a CraftMidday, Friday, October 10, 2025 – Orlando, Florida Hi, everyone. Well, here we are—Friday again. Another workweek limping to a close, and I wish I had more to show for it. Progress on the deluxe edition of The Jim Garraty Chronicles—the omnibus collecting Reunion: A Story, Reunion: Coda, and Comings and Goings – The Art…
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On Writing and Storytelling: How – and Why – I Wrote ‘Reunion: Coda’
🎼 Writing the Coda: How Music, Memory, and Missed Chances Shaped Reunion: Coda When I first wrote Reunion: A Story in 1998, I didn’t imagine it would become the central panel of a literary triptych. It was a novella born from grief, memory, and a quiet experiment in fiction—an elegy for a classmate lost too…
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The Garratyverse Explained: Marty’s Entrance in ‘Reunion: Coda’…and Why It Matters
The Chorus Room Door: How Marty Reynaud’s Arrival Sets the Emotional Tone of the Garratyverse In the Garratyverse, entrances matter. They’re not just logistical—they’re emotional overtures. And few are as quietly seismic as Martina (Marty) Reynaud’s first appearance in the chorus room. She doesn’t burst in. She creaks in. The door opens slowly, hesitantly, as…
