Tag: #ReunionAStory
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Writing Doesn’t Pay the Movers: An Update from Alex Diaz-Granados
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in Alex Diaz-Granados, Amazon, Blogging, Comings and Goings (Short Story), Comings and Goings: The Art of Being Seen, Creative Writing, Garratyverse, GoFundMe, Insomnia, Kindle, Kindle Create (Publishing App), Kindle Direct Publishing (KDP), Personal History, Personal Thoughts, Reunion Duology, Reunion: A Story, Reunion: Coda, TransitionsFriday Afternoon, August 22, 2025 — Miami, Florida Hi, friends. I wish I could sit down today and write about stories—especially those in the Garratyverse—and the quiet ways they unfold. But clarity eludes me at the moment. It’s Laundry Day, and while I’ve got about half an hour before the dryer cycle ends, my mind…
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On Writing and Storytelling: When Fiction Finds Its Muse After the Fact
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I didn’t set out to write Leigh E. into Comings and Goings. In fact, I didn’t realize I had until yesterday. Kelly Moore, as she appears in the novella, was always her own person—smart, witty, emotionally fluent, and possessed of that quiet confidence that doesn’t demand space; it simply fits. But as I reread a…
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On Writing and Storytelling: Reviews Matter! (A Lot! Really!)
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in Alex Diaz-Granados, Amazon, Amazon Spain (Amazon.es), Book Reviews, Book Reviews, Books, Comings and Goings (Short Story), Comings and Goings: The Art of Being Seen, Creative Writing, Garratyverse, Kindle, Kindle Create (Publishing App), Kindle Direct Publishing (KDP), Reunion: Coda, Reviews, Writing as a Craft✍️ Echoes and Endings: What Readers Are Saying About Comings and Goings By Alex Diaz-Granados When I released Comings and Goings – The Art of Being Seen, I didn’t expect fanfare. It’s a quiet story — 51 pages long — about a first-time encounter that isn’t quite romance, isn’t quite nostalgia, but something softer, more…
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On Writing and Storytelling: Kelly, Jim, and the Quiet Art of Being Chosen
🕯️ Author’s Note: The Quiet Bravery of Being Chosen There’s a moment in Comings and Goings—just after the party, just before the kiss—where Jim steps into Kelly’s apartment and into something quieter, more deliberate. It’s not just a change of setting. It’s a shift in emotional gravity. When she opened the door, I stepped into…
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About My GoFundMe: 63% and Counting—Thank You, and a Little More Honesty
63% and Counting—Thank You, and a Little More Honesty We’ve reached 63% of the first benchmark goal on my GoFundMe campaign, and I want to start by saying thank you to everyone who’s donated so far. Your generosity means more than I can express—especially during a time that’s equal parts exciting and daunting. I’ll admit,…
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On Writing and Storytelling: Writing Intimacy as Emotional Truth
🛗 Between Floors and Feelings: Writing Intimacy as Emotional Truth In Reunion: Coda, there’s a moment suspended in time—an elevator ride, a kiss, and a song that shouldn’t belong. It’s not a grand gesture or a climactic reveal. It’s quiet. Intentional. Sacred. “The elevator is unusually empty as we step inside. The Musak version of…
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On Writing and Storytelling: Why a Prologue Was Necessary: Reopening the Door to Jim Garraty’s Emotional Past
Why a Prologue Was Necessary: Reopening the Door to Jim Garraty’s Emotional Past When I returned to the world of Reunion: A Story nearly 25 years after its original publication, I wasn’t simply revisiting old characters—I was confronting the emotional residue they left behind. Reunion: Coda demanded more than a sequel; it required a bridge.…
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Typos, Royalties, and the Indie Hustle
Midmonth Musings from the Garratyverse Late Afternoon, Saturday, August 16, 2025 – Miami, Florida Hi, everyone. Here’s a little update on my writing life and book sales for August—such as they are. I’m not exactly launching a new project at the moment, and honestly, my royalties this month will barely cover the spare change Stephen…
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Garratyverse Motif Map: Memory, Music, and Emotional Echo
Introduction to My Motif Map Understanding the Threads That Weave My Stories When I begin to dive into a story, I often find myself tracing patterns—recurring symbols, images, or themes—that act as connective tissue running through the narrative. I call this intricate web a “motif map.” For me, a motif map is more than just…
