Edith Wharton’s ‘Echoes of the Past’ (‘Reunion’ Reimagined in Wharton’s Style by Bing AI)


By Roseti, 297 Fifth Avenue, New York – Edith Wharton collection/Beinecke 10061396, Public Domain, https://commons.wikimedia.org/w/index.php?curid=110694601

Why I Am Collaborating with Bing Chatbot

As of late, I have been playing with Microsoft’s OpenAI (aka Bing Chatbot) by asking it to take snippets from my recently re-published novella, Reunion, and reimagine them in the styles of famous writers, including William Shakespeare, Edgar Allan Poe, Tom Clancy, and Ernest Hemingway.

Why am I doing this?

Well, one reason is “curiosity.” I love words and wordplay (otherwise I would have been an accountant instead of a writer…or, at least I would have been an accountant if I had a good head for numbers, which I certainly do not possess). I also have a healthy relationship with technology, even though there are some aspects of this brave new world of artificial intelligence and dependence on gadgets that I am somewhat leery about.

As a newcomer to the world of fiction, I don’t have any notion of becoming “the next Ernest Hemingway” or “a worthy successor to the legacy of Tom Clancy.” I am still working hard to find my own style or “voice” as a storyteller. Still, when I learned that OpenAI can mimic the writing styles of “the Great Authors” – or, in Clancy’s case, New York Times Best-Selling Authors – I started wondering if the Bing Chatbot had the ability to make my work sound anything like Shakespeare’s…or Poe’s…or Hemingway’s.

Side-by-side comparison of the back covers from the 2018 edition (l) and the 2023 reissue (r). Image Credit: Thomas Wikman

For the most part, I have asked OpenAI to take the “blurb” from the back cover of Reunion and reimagine it as if Shakespeare or Poe had written it. I find it interesting to note how different that bit of summary looks when it’s presented as either an Elizabethan-era poem by the Bard or a 19th Century ode from the pen of The Raven’s creator. And because OpenAI can access Amazon’s product page for Reunion and “read” the blurb (but not the story itself), the chatbot was able to do credible (but not perfect) renditions of it in different authors’ styles.

And since I am a self-published author and must do my own marketing to drum up sales of my book, I also figured that these reimaginings by OpenAI of my work are a creative way to call attention to Reunion. I can’t afford to buy any advertising on social media, so I must think out of the box and come up with innovative ways to “sell” my novella.

The Age of Artificial Intelligence, or: From Will Shakespeare to Edith Wharton

Okay, so far I’ve asked OpenAI to mimic:

Image Credit: Pixabay
  • William Shakespeare
  • Edgar Allan Poe
  • Tom Clancy
  • Ernest Hemingway

In the recesses of my mind’s eye, I beheld the thronged classrooms and corridors of my high school days, where my companions and I had shared both triumphs and tragedies; where the phantoms of our past still linger. Visions danced before me. I saw the countenances of instructors and classmates I had not laid eyes upon in years. I heard fragments of melodies I had rehearsed in third-period chorus. I saw the library where I had spent many an hour studying after school.

BING CHATBOT (IN THE STYLE OF EDITH WHARTON)

Today, I present to you a short excerpt from Reunion as reinterpreted by OpenAI in the style of Edith Wharton (The Age of Innocence, The House of Mirth):

“Echoes of the Past: A Journey Through the Corridors of Memory”

Adapted from Reunion: A Story by Microsoft’s OpenAI (Bing Chatbot) in the style of Edith Wharton

By Edward Harrison May – Kellogg, Grace 1965. The two lives of Edith Wharton : the woman and her work https://archive.org/stream/twolivesofedithw00kell#page/n7, Public Domain, https://commons.wikimedia.org/w/index.php?curid=67468921

In the recesses of my mind’s eye, I beheld the thronged classrooms and corridors of my high school days, where my companions and I had shared both triumphs and tragedies; where the phantoms of our past still linger. Visions danced before me. I saw the countenances of instructors and classmates I had not laid eyes upon in years. I heard fragments of melodies I had rehearsed in third-period chorus. I saw the library where I had spent many an hour studying after school.

But above all else, I saw Marty.

Marty as a timid sophomore, auditioning before Mrs. Quincy, the school choir director.

Marty at the 1981 Homecoming Dance, resplendent after being chosen as Junior Princess.

Marty singing her first solo at the 1981 Christmas concert.

Marty sitting solitary in the chorus practice room on the final day of our senior year. I gazed intently at those sepia-toned recollections. And as my mind bore me back to the place I had vowed never to revisit, I remembered.


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Published by Alex Diaz-Granados

Alex Diaz-Granados (1963- ) began writing movie reviews as a staff writer and Entertainment Editor for his high school newspaper in the early 1980s and was the Diversions editor for Miami-Dade Community College, South Campus' student newspaper for one semester. Using his experiences in those publications, Alex has been raving and ranting about the movies online since 2003 at various web sites, including Amazon, Ciao and Epinions. In addition to writing reviews, Alex has written or co-written three films ("A Simple Ad," "Clown 345," and "Ronnie and the Pursuit of the Elusive Bliss") for actor-director Juan Carlos Hernandez. You can find his reviews and essays on his blogs, A Certain Point of View and A Certain Point of View, Too.

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