Category: Classical music
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A Sunday Musicale for a Sweltering Summer Day
Sunday, August 16, 2026 – Orlando, Florida “Where words fail, music speaks.” ― Hans Christian Andersen “I like beautiful melodies telling me terrible things.”― Tom Waits “Beethoven tells you what it’s like to be Beethoven, and Mozart tells you what it’s like to be human. Bach tells you what it’s like to be the universe.” ― Douglas Adams…
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A Monday Musicale for an August Afternoon
Monday, August 10, 2026 – Orlando, Florida Hi, there. I’m still on a longish break from Professional Daydreaming™. I also don’t have any interesting life updates to share, so how about some music videos instead?
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Music Album Review: ‘Yo-Yo Ma & Bobby McFerrin: Hush’
Yo-Yo Ma & Bobby McFerrin: Hush Artists: Bobby McFerrin (vocals), Yo-Yo Ma (cello) Year of Release: 1992 Record Label: Sony Masterworks Genre(s): Classical, Jazz Some recordings earn their place in a library because they’re impressive; Hush earns its place because it’s disarming. More than three decades after its release, this collaboration between Bobby McFerrin and…
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An American Musicale
Friday, July 3, 2026 – Orlando, Florida In honor of America’s 250th birthday, I offer this Independence Musicale! American Salute (Gould) Goin’ Home (Largo from Dvorak’s Symphony from the New World Yankee Doodle (Traditional) March from “Midway” (J. Williams) March from “1941” (J. Williams)
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On Writing and Storytelling: Why ‘An Innocent Man’ Had to Score “This Night” in ‘Comings and Goings’
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in Alex Diaz-Granados, Amazon, Amazon Music, Amazon Spain (Amazon.es), Amazon UK, An Innocent Man (1983), An Innocent Man (song), Billy Joel, Classical music, Comings and Goings (Short Story), Comings and Goings: The Art of Being Seen, Creative Writing, Kindle, Kindle Direct Publishing (KDP), Ludwig van Beethoven, Music, Music & Concert Specials, Pop Music, Reunion Duology, Reunion: A Story, Reunion: CodaOn Writing and Storytelling: Why An Innocent Man Had to Score “This Night” Some choices in storytelling are deliberate. Others are instinctive—felt before they’re understood. When I wrote Comings and Goings, I knew Jim and Kelly needed music playing in the background of their brief, luminous night together. I also knew it had to be…
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How Pop Culture and Music Inform the Garratyverse
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in A Bridge Too Far (1977 film), Alex Diaz-Granados, All the Things You Are, All the Things You Are (Kern and Hammerstein), Amazon, Billy Joel, Classical music, Comings and Goings: The Art of Being Seen, Creative Writing, John Williams (Composer), Kindle, Kindle Direct Publishing (KDP), Ludwig van Beethoven, Melodies and Memories: Music, Songs, and Singers, Movies, Music, Music & Concert Specials, Pop Music, Reunion Duology, Reunion: A Story, Reunion: Coda, Star Wars, Superman: The Movie, The Summer of Two Movies, West Side Story – Original Broadway Cast (1957)How Pop Culture and Music Inform the Garratyverse If you spend enough time inside the Garratyverse, you eventually notice something: Jim Garraty’s world doesn’t just contain pop culture and music—it breathes through them. Songs, films, TV shows, and the cultural noise of their eras aren’t background decoration. They’re emotional weather systems. They shape memory, mood,…
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A Mini Musicale for Tuesday, June 9, 2026
“Music expresses that which cannot be put into words and that which cannot remain silent” ― Victor Hugo
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Ending the Merry Month of May with a Sunday Musicale
Hi, everyone. Well, it’s the last day of May and, if you go by the meteorological calendar, it’s also the last day of spring. It’s also Sunday, and as much as I love writing – it’s what I do, after all – I do need to take an occasional day of rest. So, I’m waving…
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Sunday Spring Musicale…May 24, 2026 Edition
Hi, everyone. I started writing a post for this blog a few hours ago, but I couldn’t organize my thoughts well enough to get my ideas across on the page, so I gave up. I suppose I could have kept trying until I produced something worth reading, but I had already been writing for an…
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Music Album Review: ‘Cinema Serenade 2: The Golden Age – Itzhak Perlman, John Williams & The Boston Pops Orchestra’ (1999)
Cinema Serenade 2: The Golden Age – Itzhak Perlman, John Williams & The Boston Pops Orchestra Label: Sony Classical Year Released: 1999 Genre(s): Film Music, Light Classical, Violin Transcriptions Cinema Serenade 2: The Golden Age — A New and Expanded Review Following the unexpected and well‑deserved success of Cinema Serenade, conductor John Williams and violinist…
A Certain Point of View, Too 